He was brought up in the coal country of Pennsylvania, and subsequently he created monumental black-and-white paintings that made him internationally known. Kline's gestural aesthetic quickly earned him the label of an "action painter" and he achieved recognition as one of the members of the emerging Abstract Expressionist movement. Franz Kline is an American Abstract Expressionist who was an essential artist for his generation. Find more prominent pieces of abstract at best visual art database. He painted these works with large housepainter's brushes to achieve a sense of spontaneous and energetic immediacy. ‘Mahoning’ was created in 1956 by Franz Kline in Action painting style. Instead of focusing on representation, Kline emphasized the expressive potential of gestural brushwork. Kline had his breakthrough show at the Charles Egan Gallery in 1950, where he exhibited the dramatic black and white paintings that would become his signature style. Kline was particularly influenced by de Kooning's biomorphic black and white abstractions made between 19. In the mid-1940s, many artists of the New York School, such as de Kooning, Jackson Pollock, Mark Rothko, and Barnett Newman, were exploring the expressive and visual potential of abstraction. The Painting Techniques of Franz Kline by The Museum of Modern Art Video from The Museum of Modern Art Cite this page as: The Museum of Modern Art, 'The Painting Techniques of Franz Kline,' in Smarthistory, January 27, 2016, accessed March 8, 2023. Kline, along with other action painters like Jackson Pollock, Willem de Kooning, Robert Motherwell, John Ferren, and Lee Krasner, as well as local poets, dancers, and musicians came to be known. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Although Elaine de Kooning recounted this story as a "mythical" breakthrough, scholars have since established that Kline's development to abstraction was gradual. Franz Kline ( May 13, 1962) was an American painter. Inspired by the dramatic potential of his blown-up strokes, Kline adopted this style for his paintings. Kline described the process as he enlarged his drawing, "A four by five inch black drawing of a rocking chair … loomed in gigantic black strokes which eradicated any image, the strokes expanding as entities in themselves, unrelated to any entity but that of their own existence." The lines that delineated the image of the rocking chair were transformed into powerful, sweeping abstractions when enlarged at this scale. In 1948 Willem de Kooning suggested that Kline try to project one of his sketches with his Bell Opticon projector onto the wall. In the late 1930s and early 1940s Kline worked figuratively, painting landscapes and cityscapes in addition to commissioned portraits and murals. In the 1930s he studied draftsmanship first at Boston University and then at Heathersley's Art School in London, before settling permanently in New York in 1939. Born in Wilkes-Barre Pennsylvania, Franz Kline (1910 – 1962) first developed his interest in illustration during high school.
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